Showing posts with label Ninth Art Press. Show all posts
Showing posts with label Ninth Art Press. Show all posts

April 11, 2016

Books in Bites 13: Three Comics Worth Your Attention

Quick Reviews of Three Books you may be interested in.

MEANDERINGS
By Matthew Dooley
Published by Throwaway Press
Available Here
So much of Matthew Dooley’s Meanderings, a compilation of his short comics published by Throwaway Press, is about the frustration and poignancy inherent in the failure of expectations. There’s an underlying sadness to his humorous vignettes that cuts to the quick even as we snicker at the joke. It’s not so much schadenfreude that you experience while reading this book, so much as it is the smile of recognition, the warm pat on the back in the company of failure.

The first story in the compilation sets the tone. A group of outcasts gathers together under the banner of The Intergalactic Alliance for Peace and Unity, and their leader, Mike, has predicted the end of the world. When the appointed time of armageddon comes and goes, the group packs up their picnic and justifies the event, spinning a positive out of disappointment. The final punch line in the last panel certainly adds levity to the tone, but it also reveals the senselessness of expectations as well.
Even inanimate objects serve to further Dooley’s sensibilities. Public art pieces, statues of politicians, even a park bench are all endowed with the inevitable disappointment between intent and time. Time carries on, and with it, so too does the world. What was important 10 years ago now is forgotten or reframed. The disillusion can be seen as absurd as it is tragic.
Meanderings is, first and foremost, full of laughs. Dooley clearly understands the concept of pacing as it works in the medium and uses it deftly to punctuate his jokes. The laughter he induces, though, comes from the recognition that this, too, is us, trapped as we are in the preposterous game that we play.


HABIT #2
By Josh Simmons
With Tom Van Deusen, Eric Reynolds, and Ben Horak
Published by Oily Comics
Available Here
Coming on the heels of Habit #1, Josh Simmons is back tearing up the place, this time bringing along artists Tom Van Deusen, Eric Reynolds, and Ben Horak along with him on this wild ride. 

Habit #2 continues to confound. Its 52, black and white, saddle-stitched pages contain four comics of escalating bonkers, ending in a literal shit storm. It all begins with Simmons’ own “The Incident at Owl’s Head,” which starts off as a drifter coming to a new town and ends as a horrific, surreal morality tale about trust and kindness. There is one scene in particular, during breakfast, that defies all sense and sets such a nightmarish tone that the reader must disassociate from their reality making mechanisms in order to continue through. It’s these sorts of moments that Simmons does best, placing ordinary people in extraordinary circumstances and marking them unfazed by the event. In Simmons work, the world is dangerous and weird and we should fucking wake up and realize that already.
“Late For The Show” features Tom Van Dusen’s story and pencils, with Simmons on layout and inks. This short tale is bookended in reality (sort of), but its middle spurns what we know of the world and plays commentary as much as it plays the prancing surrealist. It’s meaty in the true sense of the word, and is, of course, bonkers.
“Bertram” is all Simmons again with Eric Reynolds on inks. It’s about a big dog. Or a dysfunctional family. Or zombies. Or… fuck, I don’t even know. It’s wonderfully wack-a-doo and couldn’t ever exist in any place other than Simmons’ fertile mind.

The last story features Simmons on story and Ben Horak on art. It’s called “The Great Shitter” and while its name gives away pretty much the premise of the piece, you just need to read it yourself. It’s fetid and frightening and full of pathos and serves as the perfect ending to this collection.

Habit #2 isn’t for the comfortable or the staid, but it just might be for you.


WHAT’S YOUR SIGN, GIRL?
Edited by Robert Kirby
Published by Ninth Art Press
Available Here
Astrology can be damn complicated. First, you gotta know your zodiac sign (or is called “Sun Sign”), then there’s your elements and your qualities and when your moon’s rising in which house. I mean, just take a look at this chart I just did on myself over at Astrolabe. It’s intimidating and confusing and, in a way, kinda deeming to think that everyone born on the same day and time and place as I all would get the same chart. Kinda kicks you in the teeth of feeling unique?

Free Birth Chart


Luckily, there’s What’s Your Sign, Girl, edited by Robert Kirby and published by Ninth Art Press. Here, Kirby and a constellation of contributors break down their signs for easy digestion, as well as provide intricate and varied responses to each of their relationships to the generalities of the specific sun sign, as well as, often, to the concept of astrology itself.
The list of cartoonists Kirby has brought together is stellar (see what I did there). Aries: Delaine Derry Green, Taurus: Kevin Budnik, Gemini: Whit Taylor, Cancer: Tyler Cohen, Leo: Cara Bean, Virgo: Robert Kirby, Libra: Rick Worley, Scorpio: Eric Kostiuk Williams, Sagittarius: Dan Mazur, Capricorn: Annie Murphy, Aquarius: Aron Nels Steinke, and Pisces: Marnie Galloway all contribute beautiful and personal pieces on the panoply of the zodiac.


It's revelatory, not only in terms of the information but also about the nature of the cartoonists themselves. Each one of these artists takes the gestalt of their sign and personalizes it to become idea in action. It humanizes the general, making it real, understandable -- all in the answer to the question of the ramifications of the hold astrology still has on so many of our lives. This is ultimately a quest for meaning, for understanding, for how larger forces may, in some way, help us understand ourselves. While What’s Your Sign, Girl is ostensibly about astrology, it is really about larger questions such as how patterns dictate personality, how expectations inform reality, and how, as social beings, we operate within the contextual frame.

And incidentally, Rob Kirby, I’m a Virgo too. You get me.

August 31, 2015

Books In Bites 3: Three Comics Worth Your Attention

Quick Reviews of three books you may be interested in.
SUPERCAKES
by Kat Leyh
Published by Yeti Press
Available Here


On the back of Kat Leyh’s wonderful new comic SuperCakes, it says this book “touches on topics most ‘capes and tights’ comics wouldn’t even fly near.” I assume this has to do with the central relationship Leyh explores in this book. While operating within the “punch em in the face while quipping” superhero overlay, SuperCakes is really a book about May and Molly and their budding relationship.


May and Molly are in the early stages of falling in love and, in a way, their superheroic team-up reflects the bond they are building as they become vulnerable to each other. May is the character more comfortable in herself and her sexuality, and, as Tank, her powers are “super-strength and a degree of invulnerability.” She solves her problems head-on, not shying away from conflict or judgement, caring so little about what others think of her that at one point she even wears a knit hat shaped like a cupcake on her head as she fights an invasion of ice-monsters wrecking her city.


Molly, on the other hand, is seemingly younger, not yet fully accepting of who she is, slightly ill at ease with her role in the world and in her relationship with May. Her shape-shifting powers metaphorically reflect the nuances and subtle actions of a young woman unsure of herself coming out to the world and committing to love. But she can absorb energy, subsume blows and explosions, and use that which is directed against her to become stronger and turn it back on her enemies.


And that, in and of itself, is a dynamic statement.


Both of these women are empowered. Leyh makes that clear by not only casting them in the trope, but also by carefully choosing how they operate within it. Their relationship with each other is easy, gentle, and loving. These characters serve as role models certainly in terms of their heroics, but also in terms of how relaxed and attentive they are with each other.


SuperCakes is positive, fun, engaging, and inspiring. Leyh shows that issues of racial and sexual diversity don’t have to be shoehorned into comics as if they are something added on in hopes of placating naysayers or tapping into a market. SuperCakes succeeds because, although it is about superheroes, it is about real people first.


You can grab a copy of this great book here.


BIRTHDAY (mini kuš! #35)
by Theo Ellsworth
Published by kuš! komiksi
Available Here


Nothing makes more sense in the world than Theo Ellsworth being published by Latvian publishing house kuš! komiksi. Kuš! komiksi has been putting out wild and beautiful mini comics and larger anthologies for years now that have explored the edges of what is possible in comics, while introducing and celebrating some of the very best artists working in the medium.


The last time I wrote about the work of Theo Ellsworth, I said, “Structured logic comes unglued quickly in Ellsworth's art, and it's not fully replaced with a primal or visceral understanding either. Rather, it demands a different way of interacting with the material.” Ellsworth produces comics that are unique. Books which burrow into your soul as only something completely new to your experience can.


Birthday is what happens when you combine the editorial freedom of a publisher like kuš! komiksi and the purity of vision of an artist like Ellsworth. It explodes into being like a new universe is being created, and the ripples unleashed by it embrace you with beauty and with truth.


The solicitation of Birthday reads, “Our hero is insanely nervous. He's about to undergo an intense psychic initiation known as the Inner-Space Birth Ritual. You'd be nervous, too! Theo Ellsworth has faithfully documented our hero's bizarre experience in the pages of Birthday.”


What Ellsworth is able to accomplish in his art is project this experience directly into his audience. His tightly detailed and intuitive colored panels and pages transcend the paper they are printed upon and become an emotional energy that pushes into the heart of his audience. Your brain doesn’t process Birthday in a logical way. It makes sense of the narrative in an ecstatic and emotive understanding that is primal and holds you in an almost panicked state until the cathartic release at the end.


Ellsworth’s books are satisfying in a way no others are. They are psychoactive and to read one is to go through an experience that, while you are engaged in it, trips your vision into some other plane as if you have detached from the world around you. When you are done, though, and you return to your day-to-day, you carry with you new possibilities for seeing the life you have been living all this time.


You can pick up a copy of Birthday here.


THE JERNEGAN SOLUTION: A TRUE STORY
by Dan Mazur
Published by Ninth Art Press
Available Here


America is a country founded upon dreams of the impossible. For all its faults, there has always been an undercurrent of optimism and a belief that a fabulous future is just around the corner for everyone. This attitude has been responsible for all sorts of innovations and understandings that push us forward towards some brighter day, the green light, the orgastic future.


But this perspective has also been the fecund loam from which, throughout history, hucksters and charlatans have sprouted and thrived.


Dan Mazur’s The Jernegan Solution tells the story of this juxtaposition between American idealism and Americans who feed upon it.

Of The Jernegan Solution, Ninth Art Press says, “Based on true events that took place in Lubec, Maine in 1898: Prescott Jernegan, a respectable Baptist minister, arrives in town with his partners and investors, claiming to have invented a process which efficiently extracts gold and silver from the water. An enormous ‘gold factory’ is soon in operation, creating sudden prosperity and the biggest excitement the little fishing village has ever seen.”


The story is told through the eyes of a fictionalized newspaperman, a narrative choice that allows the reader access to an objective recounting of the events that took place at the turn of the 20th century in this small town in Maine, but also gives Mazur space to editorialize without any sort of condescending sermonizing. The reader gets caught up not only in the events as they unfold, but also the optimism of the narrator. It’s a perfect choice for the story, adding an emotional depth to its reportage.


Mazur’s research and attention to detail in his art bring the story to life, placing the reader in this specific time and place. For those with a passion for this time period, it tickles that historical curiosity perfectly. Mazur has infused this story with heart, even though its subject matter opens up much darker territory.


As much as we like to think of the American character as idealistic and bright, we also know that so much of our history is dotted with people who prey upon this for their own gain.  The Jernegan Solution is a reminder of this and Mazur has brought this little known bit of history out of the depths and into the light at just the right time -- a time of presidential campaigns where we once again start thinking about the direction we want our country to go and who we believe will best take us there.

You can pick up a copy of The Jernegan Solution here.