Thanks to Mercury Girl.
September 15, 2011
September 14, 2011
September 13, 2011
September 12, 2011
Sometimes Chickens are Really your Enemy
September 11, 2011
Ten Years Ago
I was teaching at a comprehensive High School that day and the news was filtering in.
Things were still a little wonky in terms of our understanding.
We all knew something horrible had happened, though.
After the principal made an announcement over the PA
telling students they could go home if they wanted to (or something like that)
a Freshman girl sitting in her desk in the front row
looked up at me and asked,
"Mr. Elkin, is this the Rapture?"
To this day, I wonder if the answer to her question was "Yes."
September 10, 2011
September 9, 2011
Can Poetry Matter (Poets You Should Know)
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| Stephen Dobyns |
I've been thinking about writing poetry again (prodded by Mercury Girl) and I can't settle into it.
False starts and misfires
Too thick or too runny
Clonking or clanking.
Then I found this poem by Stephen Dobyns (I wrote about him before here) and I shared my pain.
September 8, 2011
September 7, 2011
Cheap Thrills - KADE: RISING SUN #3
Random Pulls from the Bargain Bin
This Column originally ran on COMICS BULLETIN
August 31, 2011 – paid 50 cents for:
KADE: RISING SUN #3
Published by: Arcana Comics
Written by: Sean O’Reilly and Jay Busbee
Art by: Christian Duce
THE SAVAGES SPEAK THE LANGUAGE OF BRUTALITY. I SCREAM IT.
July 2009 also saw the release of Arcana’s Kade: Rising Sun #3. This was the third installment of a four part mini-series featuring the immortal demon hunter Kade. I found it in the bargain bin.
Why it was in the bargain bin, though, completely eludes me, because this is a pretty good comic.
Kade: Rising Sun #3 opens onto action peppered with musings on how a warrior understands battle.
According to Kade, “Battle is not part of man’s soul; it is a man’s soul.” While this may be an oversimplification of a very complex concept, it is pithy enough to cause me to pause, it is concise enough to send me into a momentary reverie on the nature of man. Is this true? Are we, as men, fundamentally predisposed to violence? Is our veneer of civilization a hindrance to our self-actualization?
These are core questions that I unavoidably had to confront from reading the very first page of this comic (and, unfortunately, remain answerless). That’s a good sign, right?
The question remains, though, will the comic be able to keep up this pace? Or will it burn out after igniting so brightly?
September 6, 2011
September 5, 2011
September 4, 2011
September 3, 2011
Your Chicken Enemy (Willie Nelson Sings Coldplay)
September 2, 2011
SEE THIS MOVIE! You're Gonna Miss Me
Sometimes the most universal truths can be found in the smallest slices of life. That’s what makes independent documentaries so powerful, engaging, and entertaining. Not only do they show you little worlds to which you’ve never had access, but they oftentimes also tell the larger story of what it means to be human.
Armed with this intellectual conceit, a bag of Funyuns, and a couple of Miller beers, I curl up in front of the TV and delve deep into the bowels of Netflix Documentaries to find out a little bit more about all of us.
Today I found 2005’s You’re Gonna Miss Me by director Keven McAlester.
You’re Gonna Miss Me is a documentary about Roky Erickson, “the great lost vocalist of rock and roll.” Roky was the lead singer and charismatic front man for the pioneering psychedelic rock band The 13th Floor Elevators. He was an absolute force to be reckoned with in the mid to late 60’s until his life turned completely upside-down due to his mental instability.
The film begins with a moment from the court proceedings in which Roky’s youngest brother, Sumner, is trying to wrest guardianship of Roky away from his mother, Evelyn. During the proceedings, there is an intimation that the last 35 years of Roky’s life has been filled with tragedy.
The film then cuts to the 1966 performance of the 13th Floor Elevators on the Dick Clark show. Roky is bent over his guitar and he is singing their hit song, You’re Gonna Miss Me. Roky’s voice is a one/two punch of visceral howling and moaning and the performance is absolutely captivating. You get the sense right away that this young man with his guitar is someone you need to sit up and take notice of. Here was a young man who was going to shake up the music industry.
As the performance fades out, the film then cuts to July, 1999. An overweight, unshaven, dirty looking man with fingernails desperately in need of trimming is going through the Publisher’s Clearing House mailer with glee and intensity. Then he is captivated by an old, faceless Mr. Potato-Head. It only takes a moment for you to realize that this broken man is the same person as the vibrant rock god performing in the earlier black and white clip.
The juxtaposition is shocking and you are left asking how this happened? In thirty-five years, what brought this man down?
Armed with this intellectual conceit, a bag of Funyuns, and a couple of Miller beers, I curl up in front of the TV and delve deep into the bowels of Netflix Documentaries to find out a little bit more about all of us.
Today I found 2005’s You’re Gonna Miss Me by director Keven McAlester.
You’re Gonna Miss Me is a documentary about Roky Erickson, “the great lost vocalist of rock and roll.” Roky was the lead singer and charismatic front man for the pioneering psychedelic rock band The 13th Floor Elevators. He was an absolute force to be reckoned with in the mid to late 60’s until his life turned completely upside-down due to his mental instability.
The film begins with a moment from the court proceedings in which Roky’s youngest brother, Sumner, is trying to wrest guardianship of Roky away from his mother, Evelyn. During the proceedings, there is an intimation that the last 35 years of Roky’s life has been filled with tragedy.
The film then cuts to the 1966 performance of the 13th Floor Elevators on the Dick Clark show. Roky is bent over his guitar and he is singing their hit song, You’re Gonna Miss Me. Roky’s voice is a one/two punch of visceral howling and moaning and the performance is absolutely captivating. You get the sense right away that this young man with his guitar is someone you need to sit up and take notice of. Here was a young man who was going to shake up the music industry.
As the performance fades out, the film then cuts to July, 1999. An overweight, unshaven, dirty looking man with fingernails desperately in need of trimming is going through the Publisher’s Clearing House mailer with glee and intensity. Then he is captivated by an old, faceless Mr. Potato-Head. It only takes a moment for you to realize that this broken man is the same person as the vibrant rock god performing in the earlier black and white clip.
The juxtaposition is shocking and you are left asking how this happened? In thirty-five years, what brought this man down?
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