Showing posts with label Celine Loup. Show all posts
Showing posts with label Celine Loup. Show all posts

February 16, 2018

New World in Her View: Kawai Shen reviews MOTHER by Celine Loup



Mother is the first volume of a comic by the award-winning illustrator and cartoonist, Celine Loup. It features the unnamed inhabitants of a gorgeous fantasy world that does not lend itself to an easy description, a place that is at turns plentiful, wondrous, and dangerous. Rather than providing her readers with explicit explanations, Loup allows the fantastic logic of this world to unfold organically. This immersive approach allows the world’s more unusual facets, including Loup’s refreshing approach to gender representation and gender relations, to surprise the reader throughout the story. 

The comic itself is rendered with a gestural lushness that Loup evokes effectively in black and white through her use light, texture, and tone. Even though you may not understand the history and workings of Mother's world, you are subsumed within its sensual beauty. 
Examples of Loup's use of light gives a sense of immediacy and grounding whether it's direct and graphic in the form of rays of light or dynamic and fluid, as we see on the characters' sun-dappled skin.

Her rendering of organic textures, with their dynamic, flowing contours, give the comic a tactile dimension. You can almost reach out and touch its foliage.

Like many of the comics I enjoy reading, Mother rewards an attentive reader. It is not a comic to be read by racing ahead, consuming plot. With Mother, you can enjoy the sensuality of place. 


Mother’s dynamic layouts with large panels means you could easily skim right through the comic but that would be like wolfing down an excellent patisserie. Why not slow down and savor it?

Mother’s world is reminiscent of earth, but it is also radically different. It is populated by giant birds and strange hybrid human-animals. Its people possess supernatural powers: they can float and soar, they walk on clouds, light emanates from their fingertips or foreheads. However, it is Mother's representations of gender that are perhaps the most striking and original aspect of the comic. 

We are introduced to Mother's male protagonist as someone concerned with beautifying his physical appearance with flowers but who shortly demonstrates his strength and aggression in a wrestling match. He is a refreshing character, unrestricted by gender roles. He expresses self-doubt, creativity, aggression, tears, tenderness. Gender relations are both familiar and unfamiliar. The female protagonist also displays a wide breadth of characteristics despite the brevity of the comic. She is at points sorrowful, nurturing, brave, demanding, vulnerable... 

Because of this break from traditional gender roles, Mother also presents one of most erotic passages I have ever read in indie comics in which our two leads engage in mutually pleasurable intercourse grounded in verbal consent. It challenges the belief our culture holds that talking about having sex before having sex is both awkward and decidedly unsexy. In the patriarchal imagination, negotiating consent verbally could only look like a legalistic dictate imposed upon us, a bloodless or socially uncomfortable exchange entirely devoid of play, sensuality, or spontaneity. This passage shows us an encounter that is nothing like that. It is realistic, unforced, fluid, and erotic.
We need more sex scenes like this in comics. We need more sex scenes like this, period.

But before I leave you with the erroneous impression that Mother is just an imaginative and pretty story with a good sex scene, I should mention that plot is an integral part of the comic. Loup’s characters hint at past conflicts and betrayals although the exact history of why certain relationships have become strained are never revealed. That Mother’s first volume only hints at a rich backstory that includes a radical vision of gender relations makes it all more unfortunate that Loup does not plan to continue the series. There is so much potential condensed into these few pages. Even if we accept the fantastical elements of the world, the first volume concludes with many unanswered questions. What happened in the past that has turned some inhabitants against each other? Why is one female character so much physically larger than the others? Are there others like her and why do the men wait for her? Although such questions may remain unanswered, I still think it’s worth picking up a copy of Mother because of its unique story and Loup's illustrative skills. 

Mother is available for purchase on Loup’s Etsy webstore; I bought my copy at The Beguiling.
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Kawai Shen is a Canadian writer and cartoonist. You can find her at cutejuicecomics.com or on Twitter as @kawaishen.

June 10, 2017

In Lieu of Reviews Two: Eight Books For You

Elkin’s note: I’ve been busy with end-of-the-school-year shenanigans, and now I’m going on a two-week vacation. I have a bunch of books that are mostly spectacular which have been piling up on my “to-review” stack. I kinda want to come back from my trip relaxed, calm, and unconcerned, so I’m just gunna dump a whole bunch of these books in this week’s column. Know that if they are featured on this list, they are worth your time and money. I may come back to them again for full-length reviews in the future.

WHAT IS A GLACIER?
By Sophie Yanow
Published by Retrofit/Big Planet
Available HERE

Retrofit writes: Sophie Yanow, acclaimed creator of War of Streets and Houses, returns with another autobiographical tale of her trip to Iceland. Air travel in our environmentally fraught times is juxtaposed with her reflections on a relationship that ended a year prior.

Simply stated and drawn, emotionally powerful, this short book demonstrates why Sophie Yanow is one of the best cartoonists working today.

THE MAN WHO CAME DOWN THE ATTIC STAIRS
By Celine Loup
Available HERE

Celine Loup writes: Inspired by film noire and the works of Ira Levin and Shirley Jackson, The Man Who Came Down the Attic Stairs is a horror comic about motherhood and post-partum depression. Emma is excited to start a family in her new home, but motherhood brings far more isolation and despair than she is prepared to handle. If only her husband could understand, but he hasn't been the same since that day...

Highlighting Loup’s art, this one deals with some serious issues and takes the reader deep into the experience she is exploring.

THE CHRONICLES OF FORTUNE
By Coco Picard
Published by Radiator Comics
Available HERE

Radiator Comics writes: Originally published as a series of minicomics, The Chronicles of Fortune is a quirky and idiosyncratic adventure of Fortuna, the greatest superhero who could do anything to improve the world, but is tragically stricken with ennui. Coco Picard’s The Chronicles of Fortune follows the lives of Fortuna, and her alter-ego, Edith-May as they learn to cope with loss and recruit a team of friends along the way! Discover a temperamental stove, a nosy mountain, a goofy crocodile, a loner moth, and a singing goldfish as they lead Fortuna on her greatest adventure! At once charming, sad, funny, poignant, and bizarre, The Chronicles of Fortune keeps one foot in mundane reality.

Kinda bonkers, kinda sweet, kinda sad, this one is definitely a keeper.

COSMOS AND OTHER STORIES
By Rozi Hathaway
Published by Good Comics
Available HERE

Good Comics writes: Cosmos and Other Stories examines themes of loneliness and longing, with Hathaway’s uniquely expressive and dreamy paintwork taking the reader on a journey through various cities, towns, bedrooms and celestial realms. If you’ve ever been lost in a crowd, stayed up all night to talk to someone long distance, or felt the ache of an absent love, then this collection will speak to you.

More like comics-poetry than a straight narrative, this book demonstrates Hathaway’s evocative use of color and pacing to capture mood, tone, and theme.

PRETENDING IS LYING
By Dominique Goblet
(Translated by Sophie Yanow)
Published by New York Review Books
Available HERE

New York Review Books writes: In a series of dazzling fragments—skipping through time, and from raw, slashing color to delicate black and white—Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents. The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma—a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics.

This book is spectacular. Buy it.

EVERYTHING IS FLAMMABLE
By Gabrielle Bell
Published by Uncivilized Books
Available HERE

Uncivilized Books writes: In Gabrielle Bell’s much anticipated graphic memoir, Everything is Flammable, she returns from New York to her childhood town in rural Northern California after her mother’s home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on top of the ashes. A powerful, sometimes uncomfortable, examination of a mother-daughter relationship and one’s connection to place and sense of self. Spanning a single year, Everything is Flammable unfolds with humor and brutal honesty. Bell’s sharp, digressive style is inimitable.

It’s Gabrielle Bell. It’s good. Of course it’s good.

EARTHA
By Cathy Malkasian
Published by Fantagraphics
Available HERE

Fantagraphics writes: Eartha is Cathy Malkasian’s fourth graphic novel — a metaphorical fable that resonates with contemporary themes. For a thousand years the unfinished dreams from the City Across the Sea came to Echo Fjord to live out their lives. Sex fantasies, murder plots, wishful thinking, and all manner of secrets once found sanctuary in Echo Fjord. Emerging from the soil, they took bodily form and wandered the land, gently guided by the fjord folk who treasured their brief and wondrous lives. But recently, city dreams have stopped coming to Echo Fjord, and without their ethereal tourists the fjord folk suddenly feel lost. Has their ancient way of life ended for good? Has something happened to the city? Are all the dreamers gone? One of Echo Fjord’s inhabitants wants answers: The story’s eponymous protagonist Eartha wants to visit the City Across the Sea, but how will she get to a place no one’s gone to for a thousand years? The city isn’t on any map, or in anyone’s memory. Without thought or hesitation she ventures into the limitless waters, hoping to find the City and solve the mystery. Cathy Malkasian’s Eartha is an expansive tale of pastoral life, city corruption, greed, and addictions, and reverberates with questions plaguing us today, such as the alienating effects of hyper-connectivity and the self-destructive obsession with novelty. Malkasian’s drawing is notable for its rigorous draftsmanship, stunning landscapes and depictions of nature, the gestural nuances of her characters, and her sophisticated storytelling, all of which are on display in Eartha, making this the author’s lushest and most impressive graphic novel yet.

I’ve been working on a full-length review of Eartha in fits and starts for the last couple of months, but I just can’t seem to make it stick. My thoughts on theme keep falling apart. Regardless, this is a beautiful book. Malkasian’s pencils are breathtaking and, while it doesn’t entirely hold together, in the end, it’s worth owning just to look at.

THEN IT WAS DARK: A PARANORMAL ANTHOLOGY
Edited by Sarah Benkin
Published by Peppermint Monster Press
Available HERE

Have you ever seen something you can't explain? Heard a voice speak a warning to you as you drifted off to sleep? Ever see a woman with no face singing to herself on a long, empty road? Ever talk to a serial killer? From the strange, nighttime experiences of a man deployed in Iraq to the story of a house haunted by a slightly mad old Jewish matriarch, from a chaplain's experience performing an exorcism to the history of spiritualism, to a ghost that seems to love LARPs, Then It Was Dark collects a variety of strange experiences from talented and diverse voices. A collection of personal paranormal experiences, true ghost stories, friend-of-friend tales and brushes with the unknown.
Check out the now-funded Kickstarter for further details. This book has many spooky, scary, and unnerving tales. As with many anthologies, the contents are hit-or-miss, but those that do hit, hit hard and well.

February 25, 2015

Books in Bites: Three Comics Worth Your Attention

I've been bogged down by both the obligations of teaching as well as this tendon issue in my elbow, so I haven't been writing reviews of late (that, and I've been questioning why I'm even doing it). I do want to take a few moments, though, to point to a few books that I wanted to give some positive press to.

Honey #1
(Celine Loup)



Honey #1 was not what I expected it to be at all, and it's so much the better for that. It's an anthropomorphic bee story, sort of, in which the honey bees all look like cover models for Vogue in the 1920's and one or two of them suffer from existential ennui. Like I said, it was not what I expected (although, to be honest, I'm not really sure what my expectations were).



Celine Loup does some amazing things with her art in this book, most notably with her use of color to accentuate mood and add dynamism to her pages. In terms of storytelling, just when I thought the book might be teetering on ham-fisted melodrama, Loup throws another curve into her narrative which kept me eagerly turning pages a'plenty.



After reading Honey #1, I will never look at butterflies in the same way again. Also, Loup has exponentially added to my fear of wasps. Thanks for that.

You can purchase a copy of Honey #1 here.

Herman the Hot Dog #2
(Haleigh Buck, Hey Boy! Comics)



When the cover of your book sports both a nervous looking hot dog wearing sneakers and knee socks and it's emblazoned with a “Mature Audiences ONLY!” admonition, you're already playing the hype game at a top-shelf level. The problem with this kind of hype, though, is it usually masks something unworthy of that kind of sonorousness. NOT SO with Herman the Hot Dog #2.

Right out of the gate, Buck spares no decorum or sensibilities with a story called “Jeers of a Clown” that starts off as a story about trying to increase a television station's ratings but then veers off into places that I just can't even talk about – it's offensive, it's wrong on so many levels – but it's tear-inducing funny. It's not often that I find myself sitting alone in my house with a book in my hands and laughing so loudly that I scare my dog. I mean, I seriously let loose a thundering guffaw. When was the last time you let loose one of those?