Showing posts with label Rozi Hathaway. Show all posts
Showing posts with label Rozi Hathaway. Show all posts

August 25, 2019

Processing Loss: Daniel Elkin reviews ROCKS by Rozi Hathaway

When the dying's finally done and the suffering subsides
All the suffering gets done by the ones we leave behind.”
-- Purple Mountains
The little waves, with their soft, white hands,
Efface the footprints in the sands,
      And the tide rises, the tide falls.”
-- Henry Wadsworth Longfellow
Lately, I’ve been processing loss. A friend of mine died the other day. Took his own life. Hung himself.
We were good friends in high school. Teenage hijinx, bonds born of suburban ennui, smart kids among cowboys, surrounded by a plastic city, aglow with punk rock posing. This was supposed to be the new world, all we needed were the necessities (and more).
The years spread us apart and circumstances allowed next times and new circles. We’d come back together frequently through postcards and letters, always promising that we’d meet up on the next round, but time and circumstance conspired against us, always time and circumstance. He went his way, I mine.
Finally, though, we made solid plans to see each other. I was excited to hug my old friend again. On Monday he messaged me: “thank dan. Look fwd to seeing you after / im a wreck as usual” I wrote back, telling him I hope he found some joy along the way.
On Wednesday, he was dead.
Shock, sadness, anger. I played the whole album again and again. Mutual friends reached out, we talked, remembered, laughed, tried to find process through, tried to find perspective.
Tried to understand. Tried to let go.
I took to Distraction. Looking for sources of a different intent. Different reference. Of all things, I picked up a new comic that I got in the mail. I read it. I cried. It was, perhaps, what I needed. Attempting to find clear meaning in seemingly meaningless acts requires a fresh seeing and solid grounding.
Rocksthe new self-published book by Rozi Hathaway, was that comic. Rocks is a meditation on and celebration of rocks. The rocks that she finds on the beach, especially. The single stone among a myriad of others. Ones that are special. Ones that stand out because of their shape, color, patterns, or edges. You know them when you see them. Sometimes when you are looking for them. Sometimes when you’re not. They come to you at the right time. At that moment, in no other place. They are perfect.
And yet, they are what they are, not what you want them to be. As Hathaway writes in Rocks, “But, somehow, in picking them up and bringing them home, they lose their magic, their allure.” As with so many things that come through and into our lives, there is a time. There is a spot. It brings the enchantment. An individual out of millions and millions catches your eye. Remove it from its context and sometimes the only thing that keeps it special is the memory you have of its specialness. Sometimes leaving it where it lies is the better choice.
It is, after all, a rock. It’s not a person full of complexities and simplicities, joy and darkness. People change, move on, fall apart. A rock always remains a rock, no matter what we imbue it with.
Still, it is a rock. And it has been a rock for longer than you can even imagine, much less conceive. It has rocked through eons while that which is much less rock-like has come and gone and come and gone again. Much of Rocks is Hathaway providing this perspective, noting the expanse of time at the expense of time each rock has borne witness to without seeing anything at all. Stoic. Silent. A platform from which the business of the world springs over and over again.
And in this, it provides insight into life, into death, into truth, into our endless quest to understand. As Hathaway comments towards the end of Rocks, “Every argument, … every missed appointment ..., … it doesn’t matter. The world keeps turning.
Certainly, this is not a particularly profound or wholly original idea, but it’s a reminder of perspective, of passage, of what is transitory and what remains. We make our mark in the sand. The tide washes it away. What remains is memories. Then memories fade and those that do the remembering disappear until there is nothing left except the rocks who have no comment, no opinion, no insight, no meaning. Our grief signifies nothing other than the fact that it is our grief.
If everything is ephemeral, why do we invest so much into objects, experiences, relationships, people? Why hold on to things that eventually will slip away? Is this some flaw in the human gizmo or just a manifestation of our endless capacity for hope? What is the significance of all the strutting and huffing we do in our lives?
Why does loss hurt so much?
Loss means nothing to the rocks.
It is ours only so much as we make it so.
Maybe, perhaps. we should just let it all go and see where that takes us. Maybe, perhaps, this is healing. Maybe, perhaps, we should just sit among the rocks.

Maybe.
Perhaps.
Perhaps...
The day returns, but nevermore
Returns the traveler to the shore,
      And the tide rises, the tide falls.
--------------------------------------------------------------------
Daniel Elkin is the EIC of Your Chicken Enemy, the Former Small-Press Comics Editor for Comics Bulletin, and has Bylines at Loser CityPsycho Drive-InWinkFactionalWWAC,and PanelXPanelHe's a High School English Teacher in Northern California. He'll talk to you about Sandwiches.

December 15, 2018

BOOKS WE LIKED 2018: Special Saturday Edition

It’s the most wonderful time of the year. That’s right -- it’s BEST OF season when comic sites large and small churn out their lists, anointing subjective BESTS and, thereby, relegating thousands upon thousands of unlisted comics to the long box of Misfit Toys.

We here at Your Chicken Enemy are uncomfortable with these implications of creating BEST OF lists. Instead, we focus on celebrating ALL that is good in small press/self-published comics. Our site is built on an appreciation for diversity, admiration of artists, respect for the craft, and, of course, sandwiches.  

So, in lieu of the traditional BEST OF list, Publisher and EiC of YCE, Daniel Elkin, has gathered his flock of (Chicken) Enemies and asked them for their contributions to Your Chicken Enemy’s inaugural
Today’s BOOKS WE LIKED 2018 features books that have yet to be reviewed by any of the Enemies 

Make sure you check out Friday's Favorites from Matt VadnaisJustin GiampaoliMichael Bettendorf, and Daniel Elkin

Thursday's Favorites from Francesca LynDavid FairbanksKawai Shen, and Josh Hicks

Wednesday's Favorites from Nick HanoverSara L. JewellJason Sacks, and Mark Stack

Tuesday's Favorites from Ryan CareyPhilippe LeBlancSteve Morris, and Austin Lanari.

And Monday's Favorites from Rob CloughKim JoohaAlex Hoffman, and Keith Silva.


Follow Me In
By Katriona Chapman
Published by Avery Hill
Available HERE

This is a beautiful book. In Follow Me In, Chapman uses the format of a travelogue to not only explore the beauty and history of Mexico but also examine her own growth as an artist and her agency as a woman. Through voyage, Chapman outlines how she moves forward by exploring the past, expertly weaving her personal journey into the context of traveling through a foreign land.

This is also a book about dealing with an alcoholic partner -- and Chapman uses all the tools of the medium to both convey the turmoil of participating in that relationship and make that struggle real to the reader.

Finally, Chapman may well be one of the best cartoonists working today when it comes to conveying an incredible range of human emotion through gesture, expression, layout, and color.


Vanishing Act
By Roman Muradov
Published by Fantagraphics Books
Available HERE

Vanishing Act breaks apart all concepts of narrative and, in doing so, overlays a close resemblance to direct experience. Muradov is seemingly not interested in telling a story as much as he is trying to approximate Duchamp’s Nude Descending a Staircase No. 2. All the moments of a moment are laid out in sections, even though they happen simultaneously, consecutively, or in dreams -- “a single evening under a sidestepped temporal constraint

With Vanishing Act, Muradov once again proves himself to be one of the most maddening, talented, humorous, and thoughtful creative forces working in comics. In his work, everything comes down to gesture, even intent.


Ink Brick: The Journal of Comics Poetry No. 9
Edited by Alexander Rothman, Paul K. Tunis, Alexey Sokolin, and Matthea Harvey
Available HERE

Everyone contributing and editing this journal are constantly and consistently trying to define the concept of comics poetry, while at the same time expanding the medium of comics. The ninth issue of this series continues this mandate. When abstract images are presented in conjunction with poetic expression, each side opens up and the reader grabs for handholds unique to their own understanding. Ink Brick has been providing space for this sort of exploration -- and doing so in a way that never allows anyone to become complacent in any sense they have made -- never resting on a single characterization or delimitation of what constitutes Comics Poetry

Also of Note:


Moon
By Rozi Hathaway
Self-Published
Available HERE

Based on a conversation with a four-year-old, Moon is an original comics story with plenty of imagination, a look at familial relationships, and a nod the Chinese legend of Chang-e and the Mid-Autumn Festival.


Heat
By Jean Wei
Published by Peow
Available HERE

Beautiful slice-of-life centered on a naked 8-foot fire demon and farm life with an old Aunt and grand-niece. Sounds pretty spicy if you ask me. And you know what they say about spicy. Spicy is HEAT.”


No Better Words
By Carolyn Nowak
Published by Silver Sprocket
Available HERE

This is a porn comic that beautiful and viscerally captures desire in a safe story filled with agency and consent.

September 5, 2018

Kickstart Your Part: MOON by Rozi Hathaway

MOON 
is "an ethereal and enchanting short comic story printed in a mini-tabloid newpaper format" by Rozi Hathaway

Hathaway is the cartoonist behind the quiet, meditative, and wonderful COSMOS AND OTHER STORIES published last year by Good Comics.

Of her new book that she is trying to fund through Kickstarter, Hathaway writes: 
"Moon is an ethereal and enchanting original comic story about childhood, curiosity and love. I came up with the idea from one of many conversations with my partner's four-year-old son when we saw a large disc inside a storage container on a building site and he told me it looked like the moon. I decided to create this story because I think we all need some child-like fascination and magic in our lives. My wish is for someone to pick up Moon and be transported away from his/her/their troubles and become lost in a dream. There is always time to worry about school, work, money or relationships, and we all deserve to escape. "

The Kickstarter for MOON runs until September 9, 2018


December 22, 2017

Top 13 Small Press Comics (I Reviewed) of 2017

I don’t know about you guys, but for me, 2017 shot by like a rocket. Maybe it was the product of getting older, maybe it was a product of having to muster so much fucking outrage for 365 days in a row, maybe time is actually accelerating as the world comes undone. Whatever. It’s almost over, so I guess it’s time to put together another one of these lists. 

For a myriad of reasons (none of which should reflect the overall quality of books being published by the vibrant small press comics community), I reviewed a lot fewer comics this year, so putting this together was by far a more simple task than previously. So …. YAY for that, I guess. 

As in previous years, this list is only drawn from books published in 2017 that I reviewed. Rest assured, there were a number of outstanding books that I just couldn’t muster the energy to write about. Many of them have appeared on other people’s “Best Of…” lists. I’ll trust you to track them down on your own. I’m tired. 

To read my full reviews of each book, just click on the titles: 



13. KILGORE QUARTERLY #7 
Edited by Dan Stafford
Published by Kilgore Books
Dan Stafford has collected all these “orphans” and has given them a home in Kilgore Quarterly #7. They become a family by the proximity they share.” 




12. COSMOS AND OTHER STORIES 
By Rozi Hathaway
Published by Good Comics 
More like comics-poetry than a straight narrative, this book demonstrates Hathaway’s evocative use of color and pacing to capture mood, tone, and theme.” 




11. GREY AREA: OUR TOWN 
By Tim Bird
Published by Avery Hill Publishing 
Bird speaks to these issues through his art in these pages: characters abstracted, objects tight in their lines, everything awash in greys and blues and browns, punctuated (always punctuated) by a crimson red. His theme plays out like a poem, lyrical and rhythmic, each artistic choice carefully considered, each panel full and absolutely necessary to the rest of the piece.” 




10. WHAT IS LEFT 
By Rosemary Valero-O’Connell
Published by ShortBox 
Such a thing forces an acknowledgement of “the other” -- and Valero-O’Connell understands the uniqueness of such a thing -- the jarring singularity of such an event -- and her choice to bathe it in periwinkle and pink does more to connect this to the reader than any narrative choice could ever do.” 




9. BODY MAGIK 
By Scott Roberts
Published by Ubutopia Press 
In his ravishing Risographed red and blue pages, Roberts celebrates that which is within and gives it the opportunity to be without. In the layers and swirls that make up the pages of body magik, there is freedom to express, trust among a group, and foundational declarations of possibility.” 




8. HOW TO BE ALIVE 
By Tara Booth
Published by Retrofit/Big Planet 
In no way could I ever begin to imagine what it is like to be Tara Booth, but through her art I can connect to her on a fundamental level. She’s got her thing going on while I’ve got mine, but both of us, by the nature of our existence, battle the mundane in a quest to keep moving forward. Sure, we have different reasons and foundational reactions to the minute war of expectation vs reality, but Booth’s work here forces the acknowledgement of being in that crusade together.” 




7. UNTITLED APE’S EPIC ADVENTURE 
By Steven Tillotson
Published by Avery Hill Publishing
Tillotson’s art expands the surreal nature of this epic adventure. There is a casualness to his line and a warmth to his palette that functions like well-worn, naugahyde barcalounger; it envelops you, lulling you into the snug comfort of the familiar, the soft support of the easily recognizable. Then, suddenly, perspective heaves or there is a flurry of panels on a page or, seemingly out of nowhere, Tillotson evokes Hieronymus Bosch’s The Garden of Earthly Delights. Each lurch in style jolts your reading, pulls you out of your idleness, as if someone, giggling, ran an electric current through your chair.” 




6. STAGES OF ROT 
By Linnea Sterte
Published by Peow Studios 
Yet it is Sterte’s art that is the true focus of the experience. Vast landscapes breathe through her choices and the detailed minutiae of fauna and flora with which she populates this world fill it fully. World building is rarely this sumptuous. You linger as you read, breathing in each thinly inked brush stroke, immersed in the panorama, listening to the heartbeat of the ample life as it claws and floats, holding on to what it builds in the larger remains.” 




5. PERFECT HAIR 
By Tommi Parrish
Published by 2dCloud 
Throughout Perfect Hair lingers ghosts, that vague feeling that something outside is looking in, adding to the voyeuristic sensibility inherent in a book of this type. Through the abstraction of the cartooning and the disjointed nature of the narrative, the reader is purposefully made to feel apart from what is happening, even as Parrish draws you in. Even moments of interior monologue allow for little access, even less connection. Yet somehow the book is still immersive, deeply engaging, recognizable in a deep-seated manner.” 




4. TINTERING 
By Conor Stechschulte 
As if an eternal recurrence, each story follows a similar pattern, yet is sprung from a unique moment of aspiration. Still, Tintering is more meditation than narration, dealing with essence and objective rather than with storytelling. But even in this, through his choices, Stechschulte is telling a tale of himself as an artist.” 




3. HOT SUMMER NIGHTS 
By Freddy Carrasco
Published by Peow Studios 
As bildungsroman, Hot Summer Nights is that part of the story that occurs in the first act, right on the cusp between nescience and experience, fecund with that which comes next–the inevitable losses and heartbreaks and horrors that make up the rest of having to “grow up”. Hot Summer Nights is a moment encapsulated, throbbing and seething with the pregnancy of tomorrow. It’s comic book making at its best and a joy to read.” 




2. TONGUES: CHAPTER ONE 
By Anders Brekhus Nilsen 
For my purposes, though, let me just say that this is a stage setting book -- world building, character creating, and plot pushing. It does everything a first issue should do, setting its hooks deep into a reader with a gorgeous and intricate visual style and pulling them onto the boat with unanswered question after unanswered question.” 




1. AFTER LAUGHTER 
By Jonathan Djob Nkondo
Published by Shortbox 
Parsing story into sequential static images, as Nkondo does here, makes that which could be a passive experience,the act of viewing an unfolding as told by another, into an active engagement -- the reader lingers as long as they feel necessary on panel or page, focusing on whatever element that draws, each creating cadence of an intrinsically personal reflection. Then, in that moment of closure only found in the experience of comics, the reader ends up having a unique interaction with the text, revealing in that, themselves.” 




Honorable Mention: Casanova IV: Acedia #8 
“It’s like a little gift that comes out of nowhere for no particular reason other than to make you smile.” 

POSTSCRIPT: One thing I was especially proud of in 2017 was launching Your Chicken Enemy as a platform to publish smart, original criticism of great writers. As this is a recent change, so far I’ve only had the pleasure of offering: 



I vow to do more of this in 2018. If you’re interested getting PAID for a 1,000 word review about that spectacular comic published by a small press publisher you just read, pitch me either at Twitter (@DanielElkin) or email me: YCEReviews@gmail.com

Personally, 2018 is going to be a time of continued activism: locally, nationally, globally. This may mean even less time for comics, but I’m running on limited energy and I gotta focus it where I hope it will do the most good. 

Thanks to all of you who have come to YCE, liked what you saw, and gave it some love on social media. Getting the word out about the amazing art arising out of the small press community is a pleasure. Getting money into the pockets of those artists is a priority, so if anything you read here sparks your interest, go buy a copy from the artist or publisher directly. Then tell your network to do the same. 

So, finally, in the end, I raise a glass to you. 

Here’s to 2018. 

Let’s get powerful together. 

And, as always, remember the immortal words of Bob Dylan, “The sun’s not yellow, it’s chicken.



June 10, 2017

In Lieu of Reviews Two: Eight Books For You

Elkin’s note: I’ve been busy with end-of-the-school-year shenanigans, and now I’m going on a two-week vacation. I have a bunch of books that are mostly spectacular which have been piling up on my “to-review” stack. I kinda want to come back from my trip relaxed, calm, and unconcerned, so I’m just gunna dump a whole bunch of these books in this week’s column. Know that if they are featured on this list, they are worth your time and money. I may come back to them again for full-length reviews in the future.

WHAT IS A GLACIER?
By Sophie Yanow
Published by Retrofit/Big Planet
Available HERE

Retrofit writes: Sophie Yanow, acclaimed creator of War of Streets and Houses, returns with another autobiographical tale of her trip to Iceland. Air travel in our environmentally fraught times is juxtaposed with her reflections on a relationship that ended a year prior.

Simply stated and drawn, emotionally powerful, this short book demonstrates why Sophie Yanow is one of the best cartoonists working today.

THE MAN WHO CAME DOWN THE ATTIC STAIRS
By Celine Loup
Available HERE

Celine Loup writes: Inspired by film noire and the works of Ira Levin and Shirley Jackson, The Man Who Came Down the Attic Stairs is a horror comic about motherhood and post-partum depression. Emma is excited to start a family in her new home, but motherhood brings far more isolation and despair than she is prepared to handle. If only her husband could understand, but he hasn't been the same since that day...

Highlighting Loup’s art, this one deals with some serious issues and takes the reader deep into the experience she is exploring.

THE CHRONICLES OF FORTUNE
By Coco Picard
Published by Radiator Comics
Available HERE

Radiator Comics writes: Originally published as a series of minicomics, The Chronicles of Fortune is a quirky and idiosyncratic adventure of Fortuna, the greatest superhero who could do anything to improve the world, but is tragically stricken with ennui. Coco Picard’s The Chronicles of Fortune follows the lives of Fortuna, and her alter-ego, Edith-May as they learn to cope with loss and recruit a team of friends along the way! Discover a temperamental stove, a nosy mountain, a goofy crocodile, a loner moth, and a singing goldfish as they lead Fortuna on her greatest adventure! At once charming, sad, funny, poignant, and bizarre, The Chronicles of Fortune keeps one foot in mundane reality.

Kinda bonkers, kinda sweet, kinda sad, this one is definitely a keeper.

COSMOS AND OTHER STORIES
By Rozi Hathaway
Published by Good Comics
Available HERE

Good Comics writes: Cosmos and Other Stories examines themes of loneliness and longing, with Hathaway’s uniquely expressive and dreamy paintwork taking the reader on a journey through various cities, towns, bedrooms and celestial realms. If you’ve ever been lost in a crowd, stayed up all night to talk to someone long distance, or felt the ache of an absent love, then this collection will speak to you.

More like comics-poetry than a straight narrative, this book demonstrates Hathaway’s evocative use of color and pacing to capture mood, tone, and theme.

PRETENDING IS LYING
By Dominique Goblet
(Translated by Sophie Yanow)
Published by New York Review Books
Available HERE

New York Review Books writes: In a series of dazzling fragments—skipping through time, and from raw, slashing color to delicate black and white—Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents. The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma—a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics.

This book is spectacular. Buy it.

EVERYTHING IS FLAMMABLE
By Gabrielle Bell
Published by Uncivilized Books
Available HERE

Uncivilized Books writes: In Gabrielle Bell’s much anticipated graphic memoir, Everything is Flammable, she returns from New York to her childhood town in rural Northern California after her mother’s home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on top of the ashes. A powerful, sometimes uncomfortable, examination of a mother-daughter relationship and one’s connection to place and sense of self. Spanning a single year, Everything is Flammable unfolds with humor and brutal honesty. Bell’s sharp, digressive style is inimitable.

It’s Gabrielle Bell. It’s good. Of course it’s good.

EARTHA
By Cathy Malkasian
Published by Fantagraphics
Available HERE

Fantagraphics writes: Eartha is Cathy Malkasian’s fourth graphic novel — a metaphorical fable that resonates with contemporary themes. For a thousand years the unfinished dreams from the City Across the Sea came to Echo Fjord to live out their lives. Sex fantasies, murder plots, wishful thinking, and all manner of secrets once found sanctuary in Echo Fjord. Emerging from the soil, they took bodily form and wandered the land, gently guided by the fjord folk who treasured their brief and wondrous lives. But recently, city dreams have stopped coming to Echo Fjord, and without their ethereal tourists the fjord folk suddenly feel lost. Has their ancient way of life ended for good? Has something happened to the city? Are all the dreamers gone? One of Echo Fjord’s inhabitants wants answers: The story’s eponymous protagonist Eartha wants to visit the City Across the Sea, but how will she get to a place no one’s gone to for a thousand years? The city isn’t on any map, or in anyone’s memory. Without thought or hesitation she ventures into the limitless waters, hoping to find the City and solve the mystery. Cathy Malkasian’s Eartha is an expansive tale of pastoral life, city corruption, greed, and addictions, and reverberates with questions plaguing us today, such as the alienating effects of hyper-connectivity and the self-destructive obsession with novelty. Malkasian’s drawing is notable for its rigorous draftsmanship, stunning landscapes and depictions of nature, the gestural nuances of her characters, and her sophisticated storytelling, all of which are on display in Eartha, making this the author’s lushest and most impressive graphic novel yet.

I’ve been working on a full-length review of Eartha in fits and starts for the last couple of months, but I just can’t seem to make it stick. My thoughts on theme keep falling apart. Regardless, this is a beautiful book. Malkasian’s pencils are breathtaking and, while it doesn’t entirely hold together, in the end, it’s worth owning just to look at.

THEN IT WAS DARK: A PARANORMAL ANTHOLOGY
Edited by Sarah Benkin
Published by Peppermint Monster Press
Available HERE

Have you ever seen something you can't explain? Heard a voice speak a warning to you as you drifted off to sleep? Ever see a woman with no face singing to herself on a long, empty road? Ever talk to a serial killer? From the strange, nighttime experiences of a man deployed in Iraq to the story of a house haunted by a slightly mad old Jewish matriarch, from a chaplain's experience performing an exorcism to the history of spiritualism, to a ghost that seems to love LARPs, Then It Was Dark collects a variety of strange experiences from talented and diverse voices. A collection of personal paranormal experiences, true ghost stories, friend-of-friend tales and brushes with the unknown.
Check out the now-funded Kickstarter for further details. This book has many spooky, scary, and unnerving tales. As with many anthologies, the contents are hit-or-miss, but those that do hit, hit hard and well.